She Male Snails

2012, Eli Leven, Ester Martin Bergsmark, Swedish,

Director: Ester Martin Bergsmark
Release Year: 2012
Original title: Pojktanten

Synopsis:

In the realm of contemporary cinema, few films resonate with the complexity of identity and the nuances of gender like Ester Martin Bergsmark’s "Pojktanten," also known as "She Male Snails." Initially conceived as a documentary focused on the life and artistry of transgender artist Eli Leven for Swedish television, the film has evolved into an intricate and experimental mood piece. With its world premiere at the Gothenburg Film Festival, "Pojktanten" earned accolades, including the Nordic Vision prize, reflecting its provocative visual style and emotional depth.

 

What sets "Pojktanten" apart from conventional documentaries is its hybrid nature, blending poetic reverie, psychodrama, and elements of self-indulgence. Rather than adhering strictly to factual representation, Bergsmark invites viewers into a sensory exploration of gender identity, transitioning from a straightforward biographical account to a more abstract interpretation of the themes of transformation and belonging. The film draws comparisons to works by Cam Archer, such as "Wild Tigers I Have Known," and early films by Derek Jarman, both of which similarly interrogate the boundaries of gender and identity. Bergsmark’s approach is marked by a distinctive visual language that enhances the emotional and thematic undercurrents of the narrative.

 

Central to the film’s exploration is the intimate relationship between Bergsmark and Leven, both of whom identify as transgender. Their shared experiences of violence and societal cruelty inform the film’s reflective voiceover, which unfolds as they pose naked in a vintage bathtub, shaving each other’s legs—a striking image of vulnerability and connection. This scene encapsulates the film’s ethos, wherein the personal becomes universal, and the private struggles of identity are laid bare for public contemplation. Through their dialogue, Bergsmark and Leven articulate the tension between societal expectations and personal desires, a recurring theme throughout the film. The duality of being “trans” is poignantly expressed: it is not merely about a mismatch between physicality and identity, but about the profound journey toward self-creation and acceptance.

 

The film employs a rich tapestry of visual styles to illustrate the complexity of gender identity. One significant strand features vibrant, saturated colors, depicting a young boy who escapes into a private space to don makeup and dance. This act of dressing and performing femininity serves as a form of liberation—a joyous rebellion against the constraints imposed by society. The unrestrained dance embodies a deep yearning for authenticity, highlighting the transformative power of self-expression. In contrast, softer, more melancholic imagery portrays an older figure, draped in flowing women’s clothing, wandering through a tranquil field. These contrasting visual motifs serve to underline the multifaceted nature of gender identity and the ongoing journey of self-discovery. Bergsmark’s use of mixed digital formats contributes to the film's handcrafted aesthetic, reinforcing the idea that identity is not a fixed construct but a fluid, evolving narrative.

 

Bergsmark’s incorporation of references to St. Sebastian—an early Christian martyr often depicted in art as an androgynous figure—adds layers of meaning to the film. This symbol of suffering and resilience resonates deeply with the experiences of both Leven and Bergsmark, echoing their narratives of overcoming societal violence and embracing their identities. Scenes depicting a thin, androgynous figure bound to a tree by a burly man invoke powerful imagery of vulnerability and strength, juxtaposing fear with the transcendence of identity. Additionally, Leven’s literary work, particularly his novel "You Are the Roots That Sleep Beneath My Feet and Hold the Earth in Place," weaves into the film, further enriching its narrative. Quotations from the book serve as poetic interludes, inviting viewers to ponder the profound connections between literature and lived experience.

 

While "Pojktanten" unfolds as an evocative meditation on identity, it also serves as a critical commentary on the broader societal perceptions of transgender individuals. The film’s experimental nature, while captivating, may benefit from a tighter assembly; a reduction of 10-15 minutes could enhance its overall impact. Nevertheless, the film stands as an essential work that should be recognized at festivals and LGBTQ+ events worldwide. In a world still grappling with issues of gender identity and expression, "Pojktanten" offers a vital exploration of what it means to navigate the spaces in between, illuminating the beauty and complexity of the human experience. Through its innovative storytelling and visual artistry, Bergsmark invites audiences to engage with the transformative power of identity, urging a deeper understanding of those who dare to transcend the binaries.

via: variety.com
imdb.com
cineuropa.org

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